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Nritya Natya Kala Bharati's Annual Recital
Precocious
Display by Young Talent
Photos & Review: Girish Modi
Students from Nritya Natya Kala Bharati (NNKB) celebrated their
10th annual dance recital on March 6th at Woodruff Arts Center
in Atlanta with lots of fanfare. NNKB presented a spectacular
dance program produced and directed by Kumud and Sandeep Savla.
The melodious recital was a delightful amalgam of contemporary,
folk and classical dances set to musical compositions.
When the curtain rose, Kumud and Sandeep Savla came on stage,
accompanied by their Son Sil and daughter Samta. They stood
together reverentially to light the traditional diya and invoke
God’s blessings. Kumud and the girls thereafter performed dance
ritual to Hanuman Chalisa, that has the potency to remove all
obstacles.
The main program began with the traditional classical dance
segment with live musicians playing in the back ground. The
Savlas have always been true traditionalists in having this
segment performed to live music unlike the present trend of
using CD tracks.

This year’s recital showcased imaginatively crafted dance form
of Sanskrit epic play Meghdoot of the legendary 16th century
poet-playwright Kavi Kalidas. Chorographed by Kumud and directed
by Kumud and Sandeep, it spanned into 16 episodes starting with
Yakshini playing with her friends and ending when message is
delivered. Over 100 students participated in the sixteen
episodes. Each episode was an optic feast presented on stage by
diverse age groups.
The story goes like this: Overpowered by intense feeling of
love, Yaksha, an employee of Kuber incurs the wrath of his
master, when he neglects his duties He is sentenced to a
year-long exile and is separated from his wife Yakshini. Yaksha
conveys his message in ecstatic poetry form that describes
Meghdoot’s (cloud messenger) journey from Ramgiri Mountain to
Alkapuri. Meghdoot’s travel include crossing of mountains,
forests, rivers, city of Ujjain, Kurukshetra, Himalaya and
Kailash. Yaksha is played by Aditya Prem, Yakshini by Samta
Savla, Megh by Priya Choksi, Kuber by Raheem Budhan and
Sutradhar by Vasanta Chivukula.

Kathak is a time-honored classical dance form originating from
Northern India and is characterized by rhythmic footwork,
spectacular spins, and the curious admixture Hindu scriptures
and Urdu poetry.
Perhaps the most endearing thing about Kathak as a dance form is
its free flowing style which provides you with abundant freedom
to perform without transgressing tradition.
Kathak is one of the six major classical dance forms of India
and through song, dance and mime, complex rhythmic footwork, and
dexterous spinning - it depicts epic poems and myths in a
dramatic form.
Audience witnessed enchanting little girls from ages four
upwards to the experienced teenagers who have learnt at the
Academy for a few years perform the basics to the more complex
movements with vigor. The dancers performed to raga-based
taranas and geets while a live orchestra comprising of
accomplished musicians created the mood. Many in audience felt
that Kumud and her team, who had envisioned the production many
years back and had invested more then three months of rigorous
practice, had remarkably succeeded in recapturing the rich
imagery Kavi Kalidas had visualized in his epic poem.

It was a unique experience of listening to the fusion of the
traditional Indian music instruments with Western instruments.
The orchestra was led by music director Sandeep Savla on the
keyboard, which was ably supported by his talented team. Preeti
Uttam (daughter of Bollywood’s famous music Director Uttam Sing
who composed music for Dil To Pagal Hai and other films) was the
lead female singer, while Ahin Das was the lead male singer. The
team lifted the orchestra to new heights with the entire music
hall going agog that evening.
In the second half the NNKB dance recital, students offered a
variety of colorful folk dances, and scintillating Bollywood
movie dances depicting themes of Earth, Sky, Water, Fire, Air.
It is evident that starting with simple Kathak steps, Kumud
trains her students to holistically master complex footwork,
fast rhythmic circles, facial expressions, and total body
language. The guests were treated to an astounding array of
dances performed by alluring young girls from different parts of
the country. Radha Kaise Na Jale was the highlight as the
costume depicted Radha on the front side and Krishna on the back
side (similar to Sandhya’s dance number Are Jare natkhat in V.
Shantaram’s Film Navrang.)
The last item before the grand finale was a bhangda dance
performed by young boys and girls to the tune from Film Rang De
Basanti. The grand finale topped the whole show as the patriotic
song Mere Desh ki Dahrti from Upkar was being played. All the
participants systematically entered the stage in groups and
continued dancing till the end. Even the bullock cart was
brought on stage to lend a touch of realism.
These students demonstrated grace and poise and regaled the
audience throughout the show sharing their knowledge gathered at
the dance institute. They expressed their love for Kumud Savla,
the dance instructor, choreographer and mentor. The cutest
visuals were, without a shadow of doubt, the little ones.
Dressed in colorful Indian outfits, they stood there, wide-eyed
and showing their gaping mouths with missing teeth or braces
while smiling and voicing the bols under the guidance of Kumud.
The emcee for the evening was the charming Viren Mayani whose
hospitality, knowledge of music and easiness on stage kept the
audience enthralled. Viren and Sandeep offered vote of thanks to
all the participants, their parents, volunteers and sponsors for
their unwavering support. It was past 9 pm when the show ended
to vociferous applause and standing ovation.

NNKB has instituted a dance and music certification program
affiliated with Gandharva Mahavidyalaya of Pune and its mission
is to produce world-class artists. One can contact Sandeep or
Kumud Savla at 678-467-0837 for further information.
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