Kathak and Hindustani Sangeet Students Display Talent at Annual
Recital
By Archith Seshadri
The 2007 Nritya Natya Kala Bharthi recital was held at the
venerable Rialto Center for Arts at Georgia State’s campus on
Sunday May 20th. Kumud Savla’s Kathak students as well as
Sandeep Savla’s Hindustani Sangeet disciples took the audience
through a captivating journey as they portrayed the ‘nav raas’
(nine emotions). Viren Mayani and Parijat Chandra graciously
emceed
the evening adding intricate details before each segment to
keep the audience engaged.
Opening the program was an invocation piece gently performed by
the talented flautist Aditya Shrivastava and the disciples of
the academy. The first half of the recital embarked upon the
classical aspects of music and dance. The opening rasa, titled,
Shanta Rasa, was designed to invoke the emotion of peace. Some
of the youngest achievers from the academy danced to Raghupati
Raghav, Mangal Mandir, Jai Raghu Nandan and Om Shanti. One of
the more powerful emotions, love, was the theme for the next
Shringara rasa, which was followed by Hasya rasa to exemplify
joy.
The deep talent of the musicians was reflected in their use of a
wide variety of eastern instruments as well as western
instruments including the Tabla-Tarang, drums, guitar, keyboards
and percussion. The entire ensemble was performed with finesse
as the vocalists beautifully rendered classical Hindustani tunes
for the dancers who also performed to the kathak incantations by
their guru, Kumud Savla. Viren introduced the next segment using
his name as an example to show courage or ‘Veera’ rasa.
Some of the senior dancers of the academy performed Drauhphadi
Vastra Haran in the next rasa about disgust, Vibhatsa rasa. The
dancers exhibited their grace as they had to coordinate with
each other in terms of stage formations, eye movements and
expressions to personify the emotions they were portraying.
Thare Bin Lage Nahin and Teray Bina (Guru) represented the
element of sadness in the next segment: Karuna rasa. School’s
senior students including Pankaj Bhargava and Sima Modi
mellifluously rendered the vocals for the evening adding alaap
to the pieces. In ‘Bhayanaka’ rasa, fear was the theme used to
depict the terror. This was followed by one of the most pesky
and widespread emotion, that of anger in Raudra rasa with the
piece titled Tandav. Teacher Yaswant Panchal graciously
conducted a very intricate chorus of vocal students as they
expertly sang Tanas in Tandav composition.
A dramatic fusion piece was beautifully presented by the
advanced dancers of the recital, who were dressed in elegant
green and magenta outfits, as they personified ajooba or wonder
in Adbhuta rasa. This led to the finale for the first half of
the evening as the classical pieces came to an end. After a
brief intermission, with food provided by Patel Brothers, the
second half of the evening was introduced.
The second half of the program showcased modern Bollywood dances
interlaced against fusion pieces with contemporary steps. The
ornate outfits displayed by each of the dance groups filled the
audience with zest during this segment. Old Bollywood tunes by
Mukesh were brought back alive with young talented artists in a
truly colorful display. The schools students display was
remarkable as each piece was executed flawlessly from the young
students to the advanced dancers. Their hard work and dedication
was manifested through the sheer number of items in this half of
the program. Some of the pieces in this segment included songs
from recent Hindi movies including Dil Vich Lagya Ve and Ghoomer
Re (Chup Chup Ke) and Chaand Sifarish (Fanah).
One of the many noteworthy pieces in this segment included the
rendition of Barso Re (Guru), which drew a thunderous applause
from the audience. The senior dancers dressed in maroon and
beige outfits gorgeously performed to Salaam (Umrao Jaan). As
the evening drew to a close, to wrap up the segment titled
Drishti or perception, all of the dancers of the academy
assembled on stage to the song Des Rangila (Fanah), for a
grandiose finale.
The Nritya Natya Kala Bharthi academy was praised for carefully
choosing outfits that not only suited each of the songs but also
looked very majestic on stage. Despite some of the technical
difficulties for the sound system, all the artists performed
superbly. Notable guest artists Alamgir, Apurva Shrivastava,
Azim Khan, Jayur Patel, Dexter Ragunanan, Darshak Thacker
delighted the audience with their professional talents. The
recital was unique as it captured artists from both genres of
music and dance coming together in a spectacular ensemble
through the live orchestration.
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